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Psychology in photos, perception of a picture. Unusual vision and perception of constantly changing world is a card of people which observe the world and wish to share the vision with others. It seems to me, that such people and are artists in the broad s

Psychology in photos, perception of a picture. Unusual vision and perception of constantly changing world is a card of people which observe the world and wish to share the vision with others. It seems to me, that such people and are artists in the broad sense of the word. The artist is a condition of spirit which does not allow to be simple the spectator. The desire to improvise, in a combination to technical knowledge allows to create products which live an own life. They, these products, give rise to emotions, force the spectator to get used in seen and to empathize the certain history written by photographic language.

Once Ansel Adams, the founder zone systems, has told such phrase: " there Is nothing worse a sharp photo with indistinct idea ". In this phrase abundantly clear, that is prevailing in a photo. An idea which the author wishes to transfer is always main. And technical receptions and used laws of perception of the image should only help to reveal this idea for the spectator. The photo cannot exist for the sake of a photo. It should awake the spectator, force it to empathize together with the author, together with heroes of a picture. It is necessary to remember all time, that the knowledge of technical concepts and receptions is only a first step on road to a good photo. And in the end of a way there should be emotions, there should be a desire to develop a theme, desire to look, that for the staff. So, the first, that is necessary at photographing is to see and feel.
 
 

As the art photo concerns to area of art, and in art the main thing is a uniqueness, originality that and it is necessary to transfer this uniqueness in the future photo. Probably, the most unique in our life are emotions. Those emotions which you can cause in the spectator, and will define, possibly, value of a photo in your eyes and eyes of your admirers. Henri Cartier-Bresson in the book "The decisive Moment" http://www.photo.md/pages.php?page_id=16&&lang=eng tells about picture stories which are histories in photos. By it it is noticed, that the good photo always should tell history. From myself I shall add - or the history should be born in imagination of the spectator. And will be more correct, if will be both that and another.

 
Andrey Makarevich has such words: " In this world of accidents is not present, each step leaves a trace, and the miracle is not present … ". Aspire, that photos caused emotions, and for this purpose emotions should test, first of all you. It is important. Soul of a photo in you. The photo always keeps communication with generated its artist. If in you there are no emotions that it is possible to wait from your product? Speaking ruthless language of the critic - to look there is nothing. The spectator will experience only with you, мурашки on a leather only with you, the analysis seen only with you. Therefore, reassert one of monuments of the Chinese idea (Dao Do Jing) I shall tell - if can not remove - do not remove! Each photo should appear as a result of full impossibility to be kept from shooting.
 
 
Valerii Corcimari,
photo by autor.
 
 
 


Comments

Carla
8/12/2012 10:19
It's a relief to find smooene who can explain things so well
Lottie
6/12/2012 01:21
It's good to see someone thinking it troughh.

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