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Photographing of movement - 6, Flash use at movement shooting? Today we will talk about photographing of movement to flash. Here there are many various ways, but all of them are reduced to one - object illumination at insufficient illumination. The proble

Valerii Corcimari,
Photographing of movement-6
Flash use at movement shooting.
Фото 45, Танец,  выдержка 1:5, f13.

Today we will talk about photographing of movement to flash.

Here there are many various ways, but all of them are reduced to one - object illumination at insufficient illumination. The problem is covered that time of a luminescence of flash is not enough, approximately 1:40000 second Clearly that at such impulse any movement "will be frozen". And to show it it will be possible only unless, such classical ways as a movement phase, a foreshortening, emotions … We will consider now only such possibilities which concern area of moving of object of shooting.

Here there is one subtlety. Insufficient illumination can be as natural, and is artificial created (for example, obviously insufficient exposition). Therefore it is necessary to remember, that in some cases you can use this reception even at the general sufficient illumination. We will consider such receptions a little bit later.

In general, skilful possession of camera possibilities much more increases your chances of creativity. I will repeat - you always should know, that you wish to receive as a result.

And now we will pass directly to exercises. 

The photo 45 is made so: the exposition is defined, the parity endurance-diaphragm without changes is chosen, flash is adjusted too without correction. It is the most simple approach to shooting. Here it is necessary to choose only correctly endurance and in the necessary phase of movement to press descent. The matter is that in any, even the fastest, movement dancers have moments when they are motionless (a turn, direction change, pose fixing …). Here this moment also should be caught. The following picture (46) shows a photo, that in a current of long endurance there were 2 moments when the head of the girl was almost motionless.


Фото 46, Танец, выдержка 1:5, f5,3 (без вспышки)


В предыдущих беседах мы говорили о фотографировании движения «с проводкой». При использовании вспышки мы также можем использовать этот метод. Комбинация вспышка-проводка облегчает задачу и позволяет разнообразить фото при малом освещении. Следующее фото (Фото 48) ночного города сделано при длинной выдержке и проводкой со сдвигом.
Фото 48, Китай, выдержка 1:4, f 5,6
Или ещё танцы. Фото 49, я назвал это фото «Экстаз». Мне кажется, что это бурное движение в танце, наслаждение им… передано в этом снимке. Здесь и «проводка», и длинная выдержка, и вспышка и знание основных фаз танца. Ранее я говорил, что фотограф должен быть чуть-чуть впереди героев своих снимков. Не бежать за ними, а быть впереди их. Как правило это помогает и в обычной жизни.
Фото 49, «Экстаз», выдержка 1:3, f 11
На следующем фото пример использования проводки со вспышкой при малой скорости движения (фото 50). Обряд венчания в церкви красив сам по себе, но если вы хотите сделать акцент на людях или разнообразить фоторассказ из нескольких снимков, то можно использовать подобный приём. Здесь необходимо учесть, что при движении людей вдоль плоскости плёнки (матрицы) скорость ощущается больше, чем при движении навстречу фотоаппарату.
Фото 50, Венчание, выдержка 1:8, f 5,6
О других способах фотографирования движения с помощью вспышки  мы поговорим в следующий раз.
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